Dave Zumbek Photography http://davezumbekphotography.com/blog The Blog of Dave Zumbek Photography Mon, 18 Jan 2016 17:04:44 +0000 en-US hourly 1 Boudoir Photos Before Valentine’s Day – Book Now Before It’s Too Late! http://davezumbekphotography.com/blog/boudoir-photography/book-your-boudoir-photo-shoot-now/ http://davezumbekphotography.com/blog/boudoir-photography/book-your-boudoir-photo-shoot-now/#respond Mon, 18 Jan 2016 17:04:44 +0000 http://davezumbekphotography.com/blog/?p=487 There’s Still Time to Get Your Boudoir Photos By Valentine’s Day! Looking to give that special someone a sexy Valentine’s Day present they will never forget?  Boudoir photos make the perfect gift.  Surprise that someone by booking a shoot now before its too late! Packages: Sapphire Package – $200 1.5 Hour on-site photo shoot. Professional Photo editing... Read more »

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Boudoir Photo shoots starting at $200

There’s Still Time to Get Your Boudoir Photos By Valentine’s Day!

Looking to give that special someone a sexy Valentine’s Day present they will never forget?  Boudoir photos make the perfect gift.  Surprise that someone by booking a shoot now before its too late!

Packages:

Sapphire Package – $200

  • 1.5 Hour on-site photo shoot.
  • Professional Photo editing
  • 15-20 High Resolution Digital Photos delivered by Valentine’s Day.

Diamond Package – $350

  • Up to a 2 hour photo shoot in a hotel room
  • Professional Photo editing
  • 20-25 High Resolution Digital Images

 

Time is running out. Book your shoot today to reserve your spot and give them the gift they will never forget.

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Introducing $75 Mini Portrait Photography Sessions http://davezumbekphotography.com/blog/portraits/introducing-mini-portrait-photography-sessions/ http://davezumbekphotography.com/blog/portraits/introducing-mini-portrait-photography-sessions/#respond Wed, 10 Jun 2015 02:39:17 +0000 http://davezumbekphotography.com/blog/?p=471 Dave Zumbek Photography is now offering $75 mini portrait photography sessions to the Peoria, IL area.  Mini sessions are 30 minute photo shoots at a nearby location of your choosing.  Every session comes with 5 fully edited digital photos and print release.  Additional edited photos can be purchased for $20/photo, or you may choose from one of the... Read more »

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Mini Portrait Sessions for $75 with Dave Zumbek Photograpy

Dave Zumbek Photography is now offering $75 mini portrait photography sessions to the Peoria, IL area.  Mini sessions are 30 minute photo shoots at a nearby location of your choosing.  Every session comes with 5 fully edited digital photos and print release.  Additional edited photos can be purchased for $20/photo, or you may choose from one of the following packages:

  • $75 – Half hour shoot with 5 edited digital photos.
  • $100 – 45 minute shoot with 8 edited digital photos.
  • $150 – 1 hour shoot with 12 edited digital photos.
  • $250 – 2 hour shoot with 25 edited digital photos. 

What Types of Shoots are Considered Portraits?

Portraits are posed or candid shots taken in either an indoor studio or outdoor setting.  Themes for portrait sessions include engagements, senior photos, families, babies, head shots, couples, pets, glamour, pin up, and more.  On location portrait shoots are often outside when the weather is nicer, but they can be indoors depending on the location and circumstances. Dave Zumbek Photography specializes in portrait photography around the Peoria, IL, with occasional shoots in Chicago and St. Louis.  To see past portrait examples, click here.

Schedule a Shoot

Portrait sessions are by appointment only.  For more information or to schedule a shoot, use the form below.

[contact-form]

 

 

 

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Preparing For Your Boudoir Photography Session http://davezumbekphotography.com/blog/boudoir-photography/preparing-for-boudoir-photography-peoria-il/ http://davezumbekphotography.com/blog/boudoir-photography/preparing-for-boudoir-photography-peoria-il/#respond Sat, 18 Jan 2014 05:28:49 +0000 http://davezumbekphotography.com/blog/?p=402 So you took the plunge and booked a Boudoir Photography Session.  You might be excited, maybe nervous.  Perhaps this is your first time doing a photo shoot like this and you don’t know what to expect, what to where, or how to pose.  A bit of anxiety sets in as you start to think about... Read more »

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Preparing for your boudoir shoot peoria, il.

So you took the plunge and booked a Boudoir Photography Session.  You might be excited, maybe nervous.  Perhaps this is your first time doing a photo shoot like this and you don’t know what to expect, what to where, or how to pose.  A bit of anxiety sets in as you start to think about all of the details.  There is a lot to consider, and many questions arise.  Where do you start?

Relax.  I arranged some information here to help you out and hopefully answer many of your questions.  The details might be overwhelming right now, but there are plenty of ideas and suggestions to help guide you a long the way.  I have scoured the plethora of information on the interwebz to bring you some of the most popular ideas and suggestions, as well as providing suggestions from my own experience.

 

1. Makeup, Hair, Etc.

Did you know that I work with a few hair an makeup specialists, including licensed Cosmetologists?  An easy way to answer a lot of your questions and concerns is to hire one of these partners.  They can be on-location at the shoot and make you look amazing.  If you decide to do you own hair and makeup, here are some helpful tips that will leave you looking your best:

  • Lipstick should be at least one shade deeper than usual. Especially if your hair or clothing is dark.
  • Avoid frosted lipstick as it shows up very light in photos.
  • Blush and eye makeup should be applied slightly heavier than normal but neatly and precisely.
  • Eye shadow should be a shade lighter so that the eyes are brought forward.
  • Use a powder-based makeup as oil-based makeup appears shiny, OR
  • Use an application of powder to achieve a matte finish on the skin.
  • Consider applying false lashes.
  • Consider Styling your hair with wavy big volume
  • Consider a Mani/Pedi with your nails matching your lipstick

This article is also very helpful with a lot of detailed and useful information that will help you look your best.

example of makeup for boudoir photography

2. Wardrobe Ideas

One would think boudoir clothing is straight forward.  You may imagine laced lingerie when the genre comes to mind.  There are a lot of options out there, and several different directions you can go.  Much of your wardrobe may depend on the purpose or theme you would like to have for the shoot.  If its for a significant other, sometimes incorporating articles of their clothing can make the shoot more personal and special.  Other times the goal is to look more bold and sexy than usual, stepping outside the normal day-to-day in which one conforms.  Your comfort level will also play a factor into how covered, or uncovered your body will be.  As we set up the shoot, I will discuss your comfort level and provide ideas for what you can wear.  You may find the need for more guidance beyond our discussions.  Here is a list of potential outfits that will work well for boudoir:

  • Lingerie/Under Garments
    • Thongs
    • Boy Shorts
    • Thigh Highs with or without garters
    • Corsettes
    • Body Stockings
    • Anything See thru, lace, or fishnet
    • Baby Dolls
  • High Heels
  • Tank Top that is too short and tight
  • Mini skirt
  • Tight button up shirt
  • Short, tight, and thin Dress
  • Off the Shoulder Top or Sweater
  • Stockings – Knee or Thigh high
  • Cutoffs that are too short
  • T-shirt with rips and holes
  • Scarf (as an accent or suggestive nude covering )
  • Apron (for nude covering)
  • Caution tape, rope, or lace (as an accent, or for minimal covering)
  • Oversized button up shirt (his)
  • Tie (his)
  • Sports Jersey (His or Yours)
  • Any other hobby or worked theme attire (fireman, construction worker, etc)

Keep in mind, for an hour and a half shoot, you may want to limit the outfits to a total of 3 or 4. The more outfits you have, the more time you will spend changing and the less time we have for shooting.  Ultimately, its up to you, but my recommendations are for your benefit.

boudoir wardrobe with football jersey.

3. Accessories, Props, & Extras

We covered your general appearance between clothing, hair, and makeup.  Sometimes its the additions to your ensemble or shooting environment that will  really make your photos pop.  Whether its big flashy jewelry, or something subtle and unique in the background, those little extras bring a nice touch to the photos and can be a staple of boudoir.  Here are some ideas to consider:

  • Jewelry ( big earings, bracelets, necklaces )
  • Long Strands of Beads
  • Feather Boa
  • Long Gloves
  • Hats
  • Masks
  • Handcuffs
  • Whip/Paddle/Etc.
  • Flower Pedals/Flowers
  • Mirror
  • Candles
  • Teddy Bear/Stuffed Animal
  • Sunglasses/”Librarian” Glasses
  • Anything Kinky or Romantic
  • Anything of His

Please be sure to consult with me on items you are considering.  I may have some of the things on this list to bring.

Boudoir Photography Props - Angel Wings

4. Poses, Shot Angles, & Problem Areas

While preparing for the shoot, we would have discussed several different aspects of what you have in mind.  I will have asked you some questions to effectively gauge your comfort level.  We will also have discussed which of your features you want to highlight, and what you consider your problem areas.  I recommend to everyone searching on Google for boudoir images and finding shots/poses they like and would consider trying.  I don’t expect you to come up with everything, but the more I can get a feel for what you want out of these photos, the more you will be satisfied with them.

Let me be clear.  I don’t expect you to show up to the shoot knowing everything you are going to do or want to try.  I only ask you in the beginning to get a better idea of your expectations.  If you come with the outfits, hair, makeup, and props, we will be in great shape.  Part of my job is to direct you.  I will tell you how to pose.  I will set up the lighting and position your body so that you look your best.  I will give you direction down to the detail of where to turn your head, point your eyes, and position your hands.  If you show up ready to shoot, it will be a success.

Poses for boudoir photography

 

Wrapping it Up

While there are a lot of things to consider, you don’t have to consider them alone.  I am here to provide guidance and help in any way I can both before and during the shoot.  If you show up with everything you need, the shoot will be an excellent success. You may be nervous, but we will take things slow as you warm up to being photographed in a vulnerable state.  I will guide you along the way, provide suggestions, and do my best to make you as comfortable as possible.  In the end, you are going to look and feel like a rockstar with the photos to show for it

 

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Lesson Learned – Bring Extra Pants http://davezumbekphotography.com/blog/about-my-views/lessoned-learned-bring-extra-pants/ http://davezumbekphotography.com/blog/about-my-views/lessoned-learned-bring-extra-pants/#respond Fri, 13 Sep 2013 05:11:51 +0000 http://davezumbekphotography.com/blog/?p=364 I am going to share an embarrassing moment with you…possibly on the top 5 list of most embarrassing moments in my life.  This moment may have been less embarrassing in any other situation, but it happened to take place in the middle of shooting a wedding.  I was in the Tampa, FL for this particular... Read more »

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Newly Weds sitting in a golf cart.

I am going to share an embarrassing moment with you…possibly on the top 5 list of most embarrassing moments in my life.  This moment may have been less embarrassing in any other situation, but it happened to take place in the middle of shooting a wedding.  I was in the Tampa, FL for this particular wedding.   This was my second wedding gig, and the only one I have done outside of Illinois. The wedding ceremony was a traditional Catholic event at an area church.  The reception was at a club house on a beautiful Florida Golf Course.  The course offered 18 holes of beautiful scenery, including ponds (I didn’t see one damn gator!), tree lines, and some interesting wooden bridges that cut through the woods between holes.  The backdrop was a photographer’s playground for wedding photos.  I drove around with the wedding party in golf carts, taking shots throughout the course.

 

Newly weds kiss on a bridge through the woods.

I wanted to get a higher angle on this shot to really emphasize the elongated bridge.

 

The Shot – The Embarrassment

There were several shots we took on the awesome bridges in the wooded areas.  It offered a very unique backdrop and nice contrast for these wedding shots.  The length of the bridge added visual depth and I wanted to include more of that in the composition of this picture.  As a mentioned in a previous post, my height usually provides me with a high enough shooting angle to obtain the shots I want.  In this case, I wanted to get a bit higher.  I went to put my right foot up on the wooden railing to stand on it.  As I swung my foot up, that’s when it happened…I heard a big tearing sound.  Yep, that’s right.  My pants split along the rear seam and down my right leg.

Normally, this is not something that would happen to me.  For weddings, a photographer is most always in some type of dress clothes.  I was wearing dress pants.  Being that this was Florida, it was in the mid 80’s and extremely humid.  In addition to that, since we were driving around in golf carts and walking far from them, I had my pockets packed with a few essentials, including a small prime lens.  Combine my pants sticking to my skin in the humidity, plus my full pockets, and you can understand why this happened.  I was absolutely freaking out.  I did not have an extra set of pants with me.  The hotel I was staying at was at least 30 minutes away.  I was at the far end of the golf course, still needing to head back to the club house and shoot the reception.  Not only did I have to make this embarrassing trek back from where we were, but how was I going to shoot the reception with a window now in the rear of my pants?

Saved by a Seamstress

When I got back to the clubhouse, we just so happened to be walking in at the same time as the bride’s aunt.  To my luck, she was a former seamstress.  Even luckier, she had a needle and thread in her purse that matched my pants enough to not be noticeable.  So I went into the men’s locker room of the clubhouse, sent my pants out, and waited for 20 minutes while my pants were kindly being repaired.  They were quickly patched up to a point of barely being noticeable.  I was able to head into the reception before missing any of the key events and capture everything that was needed.  I still to this day cannot believe how lucky I was.  The reception could have been disastrous by either me missing key moments, or having people see my backside.  I am glad I didn’t have to make that choice and go through any further embarrassment.  I definitely learned a valuable lesson.  I need to bring extra pants with me, especially when its hot or there is the potential for me to be climbing around.

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The Tall Photographer Advantage http://davezumbekphotography.com/blog/about-my-views/tall-photographer-advantage/ http://davezumbekphotography.com/blog/about-my-views/tall-photographer-advantage/#comments Thu, 15 Aug 2013 03:40:03 +0000 http://davezumbekphotography.com/blog/?p=325 When most of you associate the words “height” and “photography”, you probably think about the super models you see in the fashion world.  However, I am referring to a different viewpoint…the one of the photographer. Those of you I have been lucky enough to work with know that I am obnoxiously tall.  At 6’8″ I... Read more »

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A photo of Dave Zumbek, an obnoxiously tall Peoria IL Photographer

When most of you associate the words “height” and “photography”, you probably think about the super models you see in the fashion world.  However, I am referring to a different viewpoint…the one of the photographer. Those of you I have been lucky enough to work with know that I am obnoxiously tall.  At 6’8″ I tower over most others I encounter.  My height may have intimidated some of you at first, but I am sure you quickly learned I am a gentle giant.  Initial impressions aside,  there are some very beneficial aspects to my above average build. Over the years, I have learned my size can offer some very distinct advantages during photo shoots.

It’s All About Camera Angle

My Advantage

The angle of the camera to a subject can make or break a photo.  This was something I discovered early on.  This is especially true when it comes to photographing people, and this notion touches upon all the genres of photography in which I specialize.  Higher angles of the camera relative to the subject result in more flattering portraits.  This helps the subject lift their chin up, creating nice shadows and flattering definition to their face.  Lower angles on the other hand…not so much.  A low camera angle in relation to the subject can result in awkward shadows, up-the-nose views, double chins, and other general unpleasantries.  This article does a great job of illustrating how the different camera angles affect the resulting image.

Due to my height, I naturally shoot my subjects from a higher angle.  Not only do I find this incredibly easy and comfortable , but the photo results are usually great.  That’s one of the biggest advantages of my stature. There isn’t much I need to do in order to achieve a higher angle in relation to the subject I am shooting.  Its rare that I come across others as tall or taller than myself.  In the rare instance, a hop up on a curb, stool, or chair put me back on top again.  The image below illustrates my everyday point of view.

 

A shot of Dave Zumbek's perspective in a large, crowded room. - Dave Zumbek Photography

Captured with my iPhone from my eye level, this image illustrates my view in a crowded place.

 

In general, other photographers do not possess the advantage I have.  I was a groomsmen in a wedding last fall.  The photographer was a short female.  For many of the group shots, she had a ladder on hand to climb up and shoot from in order to achieve a nice, high angle.  I thought this was comical, but apparently not that uncommon.  I have seen several in studio and on location action shots of photographers on ladders and step stools.  The height advantage was something I never really thought about with photography until I witnessed what others had to go through to achieve the same results.  Perhaps this is something I previously took for granted, but have come to appreciate.

It’s Not All Roses and Sunshine

Unfortunately, the natural downward angle I shoot at with most people may be too extreme for those who are shorter…especially with children.  However, its usually easier to make oneself shorter rather than taller by hunching over or squatting.  I have been told at times I can look silly shooting in certain hunched and squatted positions.  I don’t usually think about it much, I am more focused on framing my shot and aligning my lens by any means necessary to get the best angle.  One position I use to get lower than normal is what I refer to as the “Power Stance”.

 

Dave Zumbek demonstrating his photography power stance.

Photo by Rachel Proper, Illustrating Dave Zumbek’s Power Stance.

 

Looks a little silly, right?  As ridiculous as I look at times, my tactics get the job done.  The real challenge comes into play when I am shooting with small children, especially babies or toddlers.  Utilizing the power stance or hunching over still doesn’t cut it.  The little younglings are just too close to the ground for me to capture with flattering angles.  Logic may say that if you can’t get to their level, bring them up to yours.  Not always easy with the little ones.  Unless they are real young, they most likely won’t sit still for you.  Putting a small active child up on a chair or elevated platform is hazardous.  I am left with no choice but to get on the ground as low as I can in these situations. Sometimes, this leaves you a bit vulnerable as a spontaneous jungle gym…a small sacrifice to pay in order to land the shot.

 

Photographer Dave Zumbek Illustrating how laying on the ground is necessary for lower shots.

Sometimes you have to get low to get the shot.

Right to the Point

Overall, I have learned my height has some very nice advantages in the world of photography.  I have the ability to take more flattering portraits of people, faster, and more efficiently than most others.  I can even achieve some angles and capture shots that wouldn’t be possible for anyone shorter.  There are some minor drawbacks, but with some creativity can be conquered quickly.  Even though my size may be intimidating, it ultimately can benefit the photos I deliver.  Next time you are shopping around for a photographer whether it be a wedding, boudoir shoot, or portrait session, keep what you learned here in mind.  You may want to ask yourself, “is this photographer tall enough?”
😉

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Hotel Boudoir – My Session with Kady http://davezumbekphotography.com/blog/boudoir-photography/hotel-boudoir-my-session-with-kady/ http://davezumbekphotography.com/blog/boudoir-photography/hotel-boudoir-my-session-with-kady/#respond Tue, 06 Aug 2013 19:31:44 +0000 http://davezumbekphotography.com/blog/?p=318 A couple of months ago I had the opportunity to do a boudoir shoot in a downtown Los Angeles Hotel.  As a photographer, hotel shoots can often be impractical.  Some of the room rates, depending on the city, can be as much or even a great deal more than what I would typically charge for... Read more »

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A boudoir pose on the bed of a Los Angeles Hotel Room.

A couple of months ago I had the opportunity to do a boudoir shoot in a downtown Los Angeles Hotel.  As a photographer, hotel shoots can often be impractical.  Some of the room rates, depending on the city, can be as much or even a great deal more than what I would typically charge for the shoot.  It’s not really something to be done as a one off for a client.  Photographers who do Boudoir shoots in hotels typically schedule a day’s worth of sessions to get the most bang for the buck.  It just so happened I was visiting LA for the Adobe Max Conference, so I thought I would take the opportunity to make the most of the room I booked.

Why Hotels Are Awesome for Boudoir

Traditionally, Boudoir shoots take place around some sort of bed/bedroom environment.  They are supposed to be a seductive preview or window into the private space of the subject. Unfortunately, not everyone has the ideal bedroom setup to host a boudoir shoot.  I have held boudoir photo sessions in clients’ homes, but usually this involves setting up a backdrop to block out undesirable furniture or decor.  Doing so does result in great photos, but sometimes the atmospheric ambience is lost.  That’s where hotel rooms offer a distinct advantage.

Think about any hotel room you have experienced.  Assuming you aren’t accustomed to staying in back alley cesspools, most hotels you are familiar with probably feature nicely decorated rooms.  The rooms are clean (unless you have one of those CSI black lights), and there is almost always some sort of large window in the room to cast a great deal of natural lighting upon the bed.  These conditions definitely contribute to an all but perfect ambient environment to set the mood for boudoir.  Even if shooting during the day isn’t possible, there is often times enough artificial light to help bring out the characteristics of the room.  In addition to that, hotel rooms can add a layer of mystery and intrigue to the resulting photos.  This is especially the case if the photos will be a gift for a significant other.

My Session With Kady

The room we shot in was at the O Hotel in Downtown LA.  It’s a visually pleasing establishment, offering contemporary rooms with a unique vibe.  The main backdrop you see in the photos was a floor to ceiling, deep brown, wood panel covered wall.  The bed was dressed in all white with a subtle design pattern.  There were several artificial light sources surrounding the bed, in addition to a large window off to the right.  Bouncing my external flash off the walls and ceiling worked perfectly to add a bit of fill.  We ended up shooting at night, otherwise the natural light during the day would have more than met my needs.

A model showing off different boudoir poses during a sexy photo shoot. - Peoria, IL Boudoir Photographer

Working with Kady was a fantastic experience.  She was very laid back, easy going, and had fun with the shoot…something I really think you can get a sense of through the photos. While her attire wasn’t necessarily the traditional lace lingerie set you would see in boudoir imagery, it helped to make her seductively pop in the photos.  The blue tank she wore resulted in just the right splash of color, contrasting nicely to the deep brown and white back ground.  We covered many different poses and angles in the room.  The resulting shots did loosely fit into the boudoir category, while also blurring the lines between pinup and glamour as well.  Overall I was pleased with the results of our session.

To see more photos from my session with Kady, check out the album on Facebook.

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NEW: Custom Save The Dates & Invitations http://davezumbekphotography.com/blog/promotions/new-custom-save-the-dates-invitations/ http://davezumbekphotography.com/blog/promotions/new-custom-save-the-dates-invitations/#respond Sat, 15 Jun 2013 16:11:01 +0000 http://davezumbekphotography.com/blog/?p=294 Dave Zumbek Photography is now offering custom designed Save the Date cards, Invitations and more.  Everything is created from scratch to match the theme of your wedding or event.  You won’t be sold generic templates or predesigned pieces.  Everything is 100% custom designed for your needs.  Whether you want something fresh with modern typography, or... Read more »

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Custom Designed Save The Date card for a Wedding - Peoria, IL

Dave Zumbek Photography is now offering custom designed Save the Date cards, Invitations and more.  Everything is created from scratch to match the theme of your wedding or event.  You won’t be sold generic templates or predesigned pieces.  Everything is 100% custom designed for your needs.  Whether you want something fresh with modern typography, or more traditional, Dave Zumbek Photography can give you what you need.  Virtually any paper type and envelope style can be obtained.  The sky is the limit based on your budget and style.

Your design can be created in conjunction with a photo shoot.  Engagement Photo Sessions yield perfect results for Save the Date cards. However, you don’t have to purchase a photo session in order to have a Save the Date or Invite created.  These pieces can be created without photos, or even with photos shot by another photographer.  You decide what you want and Dave Zumbek Photography will give you the perfect result that fits your needs.

Custom Design Wedding Invitation - Peoria, IL

Since everything is 100% customized, prices will depend on the design, quantities, paper type, and whether or not you choose to do a photo shoot as well.  Dave Zumbek Photography works with a special paper supplier and a high quality commercial printer. All quotes will include the design, photography (if applicable), paper, printing, and the delivery to your doorstep.  Package deals will be offered if multiple services are purchased, such as an engagement shoot & wedding photography in addition to the Save the Dates and/or Invitations.

To see more examples, please visit the portfolio gallery here.

To get a custom quote or more information contact Dave Zumbek Photography via email or phone:

Email

309.361.8789

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Wedding at Peoria Zoo http://davezumbekphotography.com/blog/wedding-photography/wedding-at-peoria-zoo/ http://davezumbekphotography.com/blog/wedding-photography/wedding-at-peoria-zoo/#respond Thu, 09 May 2013 02:54:35 +0000 http://davezumbekphotography.com/blog/?p=227 Recently I had the opportunity to shoot a wedding at the Glen Oak Zoo in Peoria, IL.  This was a first for me and something I never thought I would do in my photography career.  The words “zoo” and “wedding” aren’t necessarily words that I would have associated together before being hired for this event.... Read more »

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Recently I had the opportunity to shoot a wedding at the Glen Oak Zoo in Peoria, IL.  This was a first for me and something I never thought I would do in my photography career.  The words “zoo” and “wedding” aren’t necessarily words that I would have associated together before being hired for this event.  I was a bit apprehensive at first, not knowing what to expect.  However, the day turned out great, resulting in wonderful memories for everyone.

Some of you non-Peorians may not have realized that Peoria even has a zoo.  I was definitely in that boat.  As a Chicago native, I am used to the likes of Brookfield Zoo, one of the largest in the country.  My first visit to the Peoria Zoo was in the fall of 2012, and from what I briefly saw, I was surprised at how large and nice it was.  Even with my prior visit, I didn’t know what was in store for me that day.  I couldn’t help but wonder, would the bride be carried into the ceremony via elephant back?  Would the bride and groom mount roaring lions and take off down the aisle following the introduction as husband and wife?  My questions were both ridiculous and un-realistic.  Still, I knew the opportunity was there to capture some very non-traditional wedding shots.

The Setting: Africa

 

Zebras Grazing Behind the setting of a Peoria IL Wedding Ceremony

Zebras graze in the background before the wedding ceremony takes place.

 

 

Both the wedding ceremony and the reception took place in the Africa Exhibit.  This was an interesting contrast to the normal Illinois landscape.  It was a beautiful day and the local wildlife grazed gracefully.  The guests had the opportunity to view zebras, rhinos, lions, and probably more that I didn’t have time to see.  There was time leading up to the ceremony and time before the reception where the guests could walk around and view all the animals that were out and about.  This was quite a pleasant contrast to most the weddings I have been to or photographed.  Usually you are stuck at a cocktail hour, anticipating the wedding party’s arrival.  In some cases, you are left to fend for yourself for roughly 2 hours while pictures are being taken.  Not at this wedding.  Everyone in attendance had the opportunity to walk around and witness wonders of nature that normally aren’t possible in our part of the world.  This really presented the opportunity to capture some very unique wedding moments.

 

Wedding guests admiring the African Animal Exhibit at the Peoria, IL Glen Oak Zoo.

Guests enjoying the rhinos before the ceremony started.

 

The Result

From what I could tell, the guests really enjoyed the ceremony, reception, and everything in between.  I could also tell that the Bride and Groom had a wonderful day.  The weather was gorgeous, with sunny blue skies and warm weather for spring in Illinois.  It was truly a perfect day.  I was able to capture some great memories for them they they will be able to cherish for a lifetime.  This wedding was truly a unique experience, and although maybe a little skeptical at first, I was highly impressed with how the day’s events unfolded.

 

Bride and Groom sharing a kiss at the Peoria, IL Zoo.

The Bride and Groom share a post-ceremony kiss at the Peoria Zoo.

 

To see more pictures from the ceremony, check them out as I complete editing here.

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Photographers: We Are More Than Our Cameras http://davezumbekphotography.com/blog/about-my-views/photographers-we-are-more-than-our-cameras/ http://davezumbekphotography.com/blog/about-my-views/photographers-we-are-more-than-our-cameras/#respond Fri, 05 Apr 2013 19:30:49 +0000 http://davezumbekphotography.com/blog/?p=201 Ever since I started my journey in photography, I have been hearing a phrase that continuously bothers me: “That camera takes really nice pictures.”  Other photographers reading this may share my frustration, but non-photogs may not understand.  There is so much more to photography than just the camera.  To attribute all the credit for an image just... Read more »

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Ever since I started my journey in photography, I have been hearing a phrase that continuously bothers me: “That camera takes really nice pictures.”  Other photographers reading this may share my frustration, but non-photogs may not understand.  There is so much more to photography than just the camera.  To attribute all the credit for an image just to the camera is an insult to the person behind the lens.  Would you approach a painter, look at their work, and tell them how great their brush is?  Would you approach a lead guitarist after a mind melting solo and carry on about their instrument?  A camera is merely an artistic tool and there is so much more that goes into a great photograph.

What Makes A Great Photo

Subject and Composition

At the very base of a great image is the subject.  However, its not just the subject matter that makes a photo interesting, but the composition as well.  A good photographer could take a normally uninteresting subject and make a great picture out of it with good composition.  Simple changes in the framing of a subject, angle, and perspective can make all the difference.  Good photographers can develop an almost instinctual ability to frame and compose photos.  It becomes second nature through thousands of shutter snaps.  That doesn’t mean its always subconscious.  Sometimes part of photography is framing a shot in several different ways, taking multiple shots in order to choose the best later.

Knowing Your Equipment

There is not test to pass in order to purchase good photography gear.  Anyone can go out and drop big bucks on the top of the line DSLR.  Top notch equipment can improve the sharpness, clarity, color saturation, and overall quality of your image, but its not going to make every photo great.  All that glass and technology is wasted if the person behind it is going to set everything to auto.  Top tier DSLRs forgo the auto mode because professionals don’t need it.  A real photographer wants to control every aspect of the shooting in order to achieve the best results. They want to choose the shutter speed to either stop motion or let in more light.  They want to control the aperture by perhaps setting the f stop wide open to allow in more light, along with creating nicer bokeh(background blur). They want to control the ISO (sensor light sensitivity) to work in conjunction with the previous settings mentioned.  Additionally, the photographer  wants fine tuned control over focus.  They aren’t going to simply let the camera select the focus for them. The photographer will either choose a specific auto focus point/region, or skip it all together in favor of manual focus.  Knowing how to use all these settings, and switching them quickly, helps a photographer capture a great shot quickly.

 

Image of Jenna Scifres

This image is from a recent portrait and lifestyle shoot with jewelry maker, violinist, and social media guru, Jenna Scrifres, in East Peoria, IL. This photo demonstrates how knowing your equipment can help achieve artistic vision. I purposely wanted to focus on the rings Jenna was showcasing, instead of her face. By blurring her out, I added depth while drawing attention to her hands.

 

Lighting, Lighting, and Lighting

If you can’t tell already, lighting is important.  It can make or break an image.  It is probably one of the most difficult aspects of photography to master.  Simply using a camera’s onboard flash usually creates less than desired results.

Lighting Types

There are 3 main types of lighting that a photographer will consider: natural, studio, and flash.  Sometimes, there isn’t a choice.  If it is dark, natural light is limited.  If you are photographing a wedding, flash may not be allowed.   Dragging studio lights around isn’t very practical, and definitely isn’t an option away from power sources.  When you can choose, selecting a proper lighting source plays a key role to mood and overall tone of an image.

Considerations

There is so much to consider when assessing lighting and planning a shot.  If using natural light, time of day is key.  Outside, cloudy days are ideal.  Dawn and dusk produce awesome light, but the mid afternoon sun can cast harsh shadows.  Inside, subject positioning in relation to windows and other light sources is important.  When using an external flash, the angle of the head or relative position to the subject is critical.  Bouncing the flash off the walls, ceiling, or other objects creates softer light.  Pulling the flash off camera and lighting the subject from a side angle can help create depth and dimension.  The position of studio lights, how far they are from the subject, and whether they use umbrellas, barn doors, or soft boxes are all important to the final output.  The smallest detail with lighting can make all the difference.

 

Portrait of Jenna Scifres - jewelry maker, violinist, and social media guru from East Peoria, IL

This portrait of Jenna Scifres illustrates how lighting can make a photo. With Jenna in front of a black backdrop, I had a small light behind her, 2 umbrella lights off to the left and right of her, and I was using a Canon 430ex II external flash with diffuser to bounce light off the white ceiling. This portrait also benefit from careful post-processing.

 

Post-Processing

Everything mentioned up until this point has been about a photo’s capture.  Arguably, what happens after the capture can be equally important.  Post-processing has opened up many possibilities in this digital photography age.  Some post-processing methods are not new and have been around since the development of film.  What matters today is how a photo is outputted and what is actually processed. There are 2 ways a photo can be outputted from a camera for post-processing: JPEG and RAW.

JPEG

When you set a DSLR to output to JPEG, the camera is making assumptions about the image.  It is making calculations and setting things like white balance, color balance, and other properties. The camera is actually doing some of the post-processing for you.  This may sound great, but its ultimately adjusting this image in a destructive manner.  This means that once the file is outputted from the camera to JPEG, you lose fine tuning control over many of the settings.  The ability to go into an editing software application, such as Adobe’s Photoshop, exists.  However, the changes you make and save to the image are destructive and cannot be reversed.

Outputting to JPEG is common to most people.  To professional photographers, it can be seen as an amateur practice.  While outputting to JPEG is easier, it is favoring convenience at the loss of creative control.

RAW

RAW files do not share the same assumptions and tweaks that automatically come with a camera produced JPEG file.  They are simply the raw image data from a camera.  Think of these files as the digital equivalent to film negatives.

Outputting to RAW is the preferred method of photography professionals due to the more detailed level of creative control. Using programs like Adobe Lightroom, Apple Aperture, and Adobe Photoshop, a photographer can take their captured images and make them shine.  The edits made to RAW files are non-destructive, meaning they can be reversed and changed at any point and time.  The sole purpose of the RAW file is for editing. Once edits are complete, JPEGs are generated as the final output for display.

What Goes In Comes Back Out

The role of post-processing is to enhance what come out of a camera.  The idea is to start with a good image and make it great.  The role of post-processing is not to save bad images.  You can certainly compensate for slight underexposures, improper color balance, etc.  You can’t change the composition of a photo, make the subject more interesting, or magically take a dark, improperly focused image and make it look like it was shot correctly from the start.  Ideally, post-processing should be approached as improving, not fixing.

Photographers can really demonstrate their own creative style during post-processing.  Some may choose to do minimal adjustments, while others may spend hours tweaking a photo.  The possibilities often seem endless. Colors can be made more vibrant, or more drab.  Details can be brought to life with clarity and sharpening.  Skin imperfections can be hidden, or “airbrushed”, making your average person look like a magazine model.  The final image can be a huge contrast to what came out of the camera originally, but it wouldn’t have been possible without a good starting point.

Tone is in the Fingers

As a stage seasoned guitar player with extensive gear, this concept hits home. Guitar players notoriously become obsessed with their gear and instruments.  It can be a sickness really, leading these musicians to think that next piece of equipment is going to make them sound better.  Ultimately, the audience doesn’t care and probably can’t even tell.  The skills of the guitarist do not change based on the amp or instrument they are using. This is where the phrase “tone is in the fingers” comes from.

The same concept is quite relevant to photography.  It is not the camera or lenses that make the photo, but the photographer behind it. An unskilled, self-proclaimed photographer can pick up a $6,000 camera and take crap photos.  A truly skilled photographer can produce great results with a point-and-shoot camera, or even a smart phone. Photographers use high end gear because it makes the image quality better, not the overall greatness of their photo.  Equipment is never replacement for a photographic eye.  The art lies with the artist, and not the tools they use.  Better tools can be and often are a catalyst for inspiration, but they will never place creative technique.

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Competition on the Job: Lessons Learned http://davezumbekphotography.com/blog/about-my-views/competition-on-the-job-lessons-learned/ http://davezumbekphotography.com/blog/about-my-views/competition-on-the-job-lessons-learned/#respond Thu, 21 Mar 2013 17:45:48 +0000 http://davezumbekphotography.com/blog/?p=187 I was recently asked to be the photographer for a local Semi-Pro (post college, pre AFL/NFL) Football team, the Tazewell Tigers.  The gig itself did not directly pay, but promised exposure and the opportunity to sell prints.  I decided to give it a trial run this past Sunday to see if the opportunity could live... Read more »

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I was recently asked to be the photographer for a local Semi-Pro (post college, pre AFL/NFL) Football team, the Tazewell Tigers.  The gig itself did not directly pay, but promised exposure and the opportunity to sell prints.  I decided to give it a trial run this past Sunday to see if the opportunity could live up to the promise.  I arrived at the game, was allowed in free of charge, and was introduced to the team as the new photographer.  I began shooting.  I circled the field several times to scope out the best angles and capture all of the key plays.  I started to notice a few other people with cameras taking pictures, but they looked more like fans, friends, and family.  After second or third pass around the field, I noticed a photographer with 2 DSLRs and serious telephoto zoom lenses.  This didn’t seem right to me as I was supposed to be the exclusive photographer, or so I was led to believe.  I brushed it off and carried on with shooting the game.

 

A defensive player for the Tazewell Tigers tackling one of the Warriors.

A shot from the game of a Tiger Defensive player tackling one of the Warriors.

 

In addition to my time shooting out in the cold, I spent a few hours editing photos.  I created a custom gallery with all the edited images available for sale.  I went onto the Tiger’s Facebook page the following Monday to post the gallery link.  To my surprise, another photographer already posted several photos to the team’s timeline.  She also posted a link to a Shutterfly album with all of her unedited photos and prices completely undercutting mine (my photos come from a pro lab).  What was I supposed to get out of this again and why did I waste my time?

Why It Matters.

Imagine you own a construction company and bid on jobs alongside competitors.  You land a bid to build a new roadway for a town.  Your crew and equipment are gathered and brought to the job site. Upon arrival you discover another company is already set up and working on the road.  You are told by the township awarding the bid that you will now be working alongside another company sharing the profits.  You planned workers, expenses, and budgets based on what you thought was coming your way as a result of winning the bid.  Instead, you are now forced to share the profits.  In addition to that, you have to try and coexist with your competitor.  Your company is paving with cement, which results in a better quality road.  The other company is moving faster using asphalt.  The township doesn’t care because they are still getting a road.  More of the profits are going to the other company as they are completing their section of the road more quickly and moving onto yours.  This was supposed to be a good opportunity for your business, but instead it turned out to be a disaster.

 

The Tigers and Warriors facing off on the line of scrimmage.

Unexpected competition on the job can be similar to two teams waiting to destroy each other on the line of scrimmage.

 

Perhaps a bad analogy, but the point is the same.  By showing up to the team’s Facebook page and seeing another photographer performing the same work, I already lost exposure.  I was not only competing for recognition, but also the sale of images.  The other photographer took a photo dump off her camera of 300+ images without editing first.  Since she spent very little time beyond shooting, she could easily throw her shots on Shutterfly.  I ended up spending 2-3 hours editing 60+ images. I carefully select some of the best shots, while also performing the basic post-processing steps.  I built a custom gallery with a search engine friendly URL path (for the team’s exposure and mine).  I carefully selected print options suitable for sports photography and set the prices starting at $2.99 (normally a competitive price).  What incentive did the team and their fans have to purchase prints from me when they could buy a lesser quality version at a cheaper price?

After speaking with the team owner who asked me to come and shoot, it turned out to be a misunderstanding.  He was not aware of the other photographer until after the game.  She turned out to be the mother of one of their new players who was apparently just trying to help the team. There were no hard feelings left from this, but the damage was done.  I wasted 4+ hours of my time without much to show in return.  I ultimately declined further involvement with the team this season.  The risk of having a  situation like this occur again was too great.  Unfortunately, it was a lesson learned the hard way.

 A Familiar Problem

This isn’t the first time I have come across issues with other “photographers” on the scene.  I tend to see this most often at weddings.  The first wedding I was asked to so was plagued with interferences.  The problems did not arise from other photographers competing for profit, rather family and friends.  The bride and groom did not hire a videographer.  Instead, they had someone with a digital camcorder filming the ceremony. This person did not know how to get out of the way.  As someone who is providing a paid service, its my job to get  the best shots of every key moment.  You think a paid photographer would be respected at a wedding, but it wasn’t the case.  This so called amateur videographer kept occupying key places I needed to be in order to land certain shots of the ceremony.  He also managed to land himself in the frame of many perfectly good shots.  I had several great images ruined due to this videographer lurking in the background.  This guy was either obliviously to everything around him, or a clever genius intentionally photo-bombing every shot he could.

That wasn’t all that happened at this wedding.  I had numerous issues with relatives and friends rocking point and shoot cameras.  It was an outdoor ceremony with room all around the pseudo alter.  The family and friends of the bride and groom literally formed a circle around this alter with their cameras.  I had to constantly weave, bob, and dance around these people to get the shots I needed.  It was extremely frustrating and resulted in the loss of several great photo opportunities.  Then there was the relative and his DSLR.  Some people think buying a good camera is all you need to be a great photographer.  This guy, filled with a false sense of entitlement, caused much interference by stepping in, taking over shots, and not knowing his place versus mine.  My absolute favorite had to be when one of the Bride’s friends stepped in.  He literally took the bride away from me after the ceremony during he organized wedding party pics.  This friend pulled her off by a tree and started directing some model-esque photo shoot using nothing but his cell phone.  I stood in shock for a moment, but then was forced to continue shooting without the bride for 15-20 minutes.

How I Safeguard Myself

For every wedding I do, I have an agreement that I sign along with the bride and groom.  Inside of this agreement are several sections addressing other photographers and cooperation from the soon-to-be-married couple.  I can do everything within my power to get the best shots and coordinate the wedding party.  I will ask others politely to step aside at times when need be.  However, its not my responsibility to tell wedding guests what they can and cannot do.  If the bride and groom want all the key shots they desire, I need their cooperation in asking their guests to step aside.  Either way, I am paid for the wedding.  Its the bride and groom that will suffer from such interference when they are missing key shots due to guest interference.

Lessons Learned

Unlike weddings, I wasn’t going to be paid for my time shooting the team.  This was a new experience, filled with hard lessons.  Its more evident than ever an agreement is needed before any shooting takes place.  I approached this opportunity with a relaxed attitude, viewing the shoot as a trial run.  I can’t be relaxed. The moment I let my guard down someone will step in and take advantage, as innocent as it may be.  If I had an agreement with the owner of the team, this could have been avoided.  The other photographer would have been instructed to keep her photos off the team’s Facebook page.  If she did post them still, the posts would have been removed from the team’s timeline.  I would have had more control over the exclusiveness and wouldn’t have to worry about competing for print sales.  This was a learning experience and a lesson that will not be forgotten when similar future situations arise.

 

To see all of the shots from the game, click here.

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